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              | Comments from various critics 
                world-wide. "The New York School of artists from the 
                  1940s and 1950s resurface their dramatic impact on the art 
                  world through Nicholas 
                  Daunt." "The freedom of abstract 
                  expressionism pioneered by the likes of De Kooning, 
                  Franz Kline, Pollock and Hans Hoffman, 
                  to name a few, comes alive in this established 
                  Australian artist." "Daunt 
                  relishes in the freedom of expression and lets his work flow 
                  and progress through a subconscious channelling that allows 
                  his work to carry itself." "Daunt's 
                  work beholds a loose landscape quality which brings with it 
                  a familiarity to the mysterious and enigmatic world of the abstract." "Within the artists work, the rich cascading 
                  colours of the natural world bloom on the canvas as too do the 
                  stark images of industrialism." "Daunt 
                  feels strongly about his love for the natural environment and 
                  in contrast the seemingly relentless attitude we have of trying 
                  to destroy it." - Top |   
              | Nicholas Daunt Born in England of Irish parents, Mr Daunt attended London's 
                Eastbrook Boys School on an art scholarship. In 1960 he moved to Australia where he worked as a graphic 
                  artist and designer in fabric. He holds a Bachelor of Visual Arts degree and a post-graduate 
                diploma in professional studies in painting from The City Arts 
                Institute of Sydney.  |  |   
              | Artist's Comments "To a degree most contemporary painting interests me. 
                  However, I find myself drawn to the New York School of American 
                  painters from 1940 to 1950, particularly the work of Franz Kline, 
                  De Kooning, Hans Hoffman and Pollock. I like the execution of 
                  free style and above all the philosophy of this school, which 
                  is based on freedom of expression." "My own work has a strong landscape quality. It seems 
                  to search for a perfect place, maybe coming from endless seeking 
                  within myself, always looking for the perfect colour combination 
                  to enhance my work. It also takes on an energy that scars the 
                  landscape in a frenzied innocence, almost naive, like man's 
                  seemingly relentless way of destroying the environment." 
                  - Top |   
              | Press Commentary "It has, of course, occurred before that in recessions 
                  artistic talents have flourished: The still deeply influential 
                  New York School grew out of the Depression and World War II. 
                  At the Holdsworth Galleries it reverberates in the 15 red-hot 
                  or moss-green land- and sea-scapes by Nicholas 
                  Daunt, who will free beauty in the dingy industrial 
                  landscape." "Nolde would have condoned Daunt's 
                  jarring of some wide, almost tranquil skies with sudden explosions 
                  of colour. Sometimes a long banner of drifting cloud or a celestial 
                  rift will stress the rhythmical continuity." Elwyn FlynnAustralian National News
 May 30, 1992 - Top
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              | Commissioned Works 
                  - TopMerck and Company, Australian Division, Granville, SydneyTwo works 12 feet by 15 feet, office 
                  foyers, June 1993
 See Nicholas preparing 
                    these paintings in his studio
 
Art Incorporate, Surry Hills, SydneySandoz Corporate Centre, Airport Park Royal, SydneyEmployers Federation of SydneyMeridian Capital International, SydneyToukley Beachcomber, ToukleyWinterthur Insurance, SydneyHonda Showrooms, Bondi Junction, Sydney |  
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